Image:Passer-payez-Boilly-ca1803.jpg

[edit] Summary

"Passer Payez", a ca. 1803 painting by Louis-Leopold Boilly.

At that time, most of the streets of Paris were not in very great shape, and many of them would become muddy morasses after a good rain, so that some entrepreneurial lower-class Parisians would provide themselves with a long plank that had wheels affixed to one end, and would pick up the unwheeled end and roll the plank along until they found a likely intersection or street-crossing, where they would lay the plank across the mud, and charge a small fee to people (presumably mainly from the middle and upper classes, especially women) who were willing to pay to avoid having to tramp through the mud of the street. The painting shows a family crossing the street over one of these plank bridges; the proprietor of the plank is at left, stretching out his arm for payment, and one of the wheels attached to the end of the plank can be seen in outline near the bottom of the painting towards the left.

(For an illustration of a similar scene, with a clearer view of a wheeled plank, see Image:Passez Payez.jpg .)

This painting is an early source for the wearing of "drawers" (underpants with legs) by women -- the woman who is probably the mother of the family (though she's only holding a dog) has lifted up her skirts far enough so that you can see the bottom of one leg of a pair of drawers (which are a little longer than usual, since they actually cover the knee instead of ending a little above the knee).

Note the practical shorter skirts worn by the little girl (who doesn't have to lift her outer dress to avoid contact with the mud, the way the adult women do).

[edit] Licensing

This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term. العربية | Asturianu | Български | Català | Česky | Dansk | Deutsch | English | Ελληνικά | Esperanto | Español | Euskara | فارسی | Français | Gaeilge | Galego | עברית | हिन्दी | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Kurdî / كوردی | Lietuvių | Magyar | Nederlands | ‪Norsk (nynorsk)‬ | Македонски | Bahasa Melayu | Polski | Português | Română | Русский | Slovenčina | Slovenščina | Shqip | Suomi | Sámegiella | Türkçe | ‪中文(简体)‬ | ‪中文(繁體)‬ | 粵語 | +/- Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules). This photographic reproduction is therefore also in the public domain. العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | ‪中文(繁體)‬ | ‪中文(简体)‬ | +/-

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• Passez payez