Image:18th-century-anti-sex-education.jpg

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"The Matrons in Hanging-Sleeves, or The Enquirer into Nature", an eighteenth-century satire (or "satyr") against sex-education. This caricature print shows women and girls looking at an exhibition display of a wax-model cutaway view of human pregnancy (with other suggestive statuettes on a side table at left); the poem beneath condemns the "bawdy Itch of knowing secret Things / And tracing human Nature to its Springs" as being a symptom of modern degeneracy (as opposed to the female virtue of previous ages) -- and as being morally dubious for inherently "frail" women, and incompatible with the highly-desirable "innocence" of unmarried girls.

The poem in the print reads:

In days of Yore, when modesty reign'd here,
Virgins were bashful, Matrons were severe;
None knew then what it was to chat with Men,
Or in smart Billets-doux to use the pen.
Sermons and Psalm-Books much employ'd their time,
Nor, save the latter, read they ought in Rhime.
If e'er they wrote, 'twas when some choice Receipt [i.e. recipe]
Was found to cure a Cough, or toss up Meat;
Such th' Assiduous House-wife sought with Care,
And in her Books preserv'd as Treasure rare.
Each Woman then, the Glory of her Spouse,
Look'd to his Wealth, and constant kept his House.
Decent her Garb; her Language true and plain;
She heightened ev'ry Joy, and softened ev'ry Pain.
In our politer times, the Female Race
An easier mode of Living [by] far embrace.
No more such arduous Methods Women try,
But with the Men in thirst of Pleasure vie:
Like them, they Ride, they Walk, nay Rake and Drink,
And seldom say their Prayers, or deign to Think.
Thus rub thro' Life, forgetful of its End;
By none Befriended, and to none a Friend;
Wild without Wit, from Spleen -- not Judgment -- grave;
Despising Faith, but to her Lusts a Slave.
Each courtly Wanton wanders thro' her Time,
And feels Declension [i.e. herself to be declining] ere she reach her Prime.
But of all Follies, sure the last and worst
Is that with which our learned Age is curs'd.
This bawdy Itch of knowing secret Things,
And tracing human Nature to its Springs;
Exploring in the sight of all the world
The dark Receptacle from whence we're hurl'd.
O famous wax-work! Where our fair ones come,
Like female Neros made to see a womb,
To hear fine Lectures, read on Generation,
And all the Arts explain'd of Procreation.
That Rake, in time to come, when he convenes,
What copious Drury sends, and Wild-street gleans,
He may have Bawds in Bibs, and Midwives in their teens.
[i.e. sex education would lead to child prostitution]
What Vices Greek and Roman Dames defil'd,
How they on Slaves and Fencers [i.e. gladiators] often smil'd,
Rode, Drink, and Danced, we're by old Sat'rists told;
But of no Thais of our modern Mold --
Who ere for Wedlock ripe is wild to see
What must its Joys, and what its Pains must be;
How in the Womb the Foetus is reclin'd;
What Passage thence by Nature is design'd;
With ev'ry other Circumstance beside,
That may inform her ere she be a Bride,
And make her wiser than the Dame who bore
This prying Wench, -- or Grandmother before,
Who liv'd when Innocence sway'd here of Yore.
O might the shocking Scene so strike the Mind,
As that true Sense from this strange sight they'd find:
Learn to believe themselves but frail, tho' fair;
And make their Souls what they deserve -- their Care;
Live to those Ends for which their Lives were given,
To bless Mankind, and make this World a Heaven.
The Wax-work then -- should be deem'd worthy Fame,
Not be, as now, all its Spectators' Shame.

The Roman emperor Nero is mentioned above because of the story that when he assassinated his mother Agrippina, he cut open her womb so that he could see where he had come from.

For an 18th-century wax model somewhat like the one which is considered to be a source of moral corruption here, see Image:Specola 20.jpg (from en:La Specola museum).

Edited from image on Library of Congress website http://memory.loc.gov/master/pnp/cph/3b00000/3b07000/3b07300/3b07352u.tif


Bibliographic information found on the LoC site:

TITLE: The matrons in hanging-sleeves: or, The enquirer into nature - a satyr

CALL NUMBER: PC 2 - Matrons in hanging-sleeves ... (A size) [P&P]

REPRODUCTION NUMBER: LC-USZ62-59610 (b&w film copy neg.) No known restrictions on publication.

SUMMARY: Print shows women and children of all ages viewing exhibits at the "Wax-works" and "see a Womb, to hear fine Lectures, read on Generation, and all the Arts explain'd of Procreation ..."; in a large display case is a life-size figure of a pregnant woman with a cut-away view showing a fetus in the womb, and on a table are figures in an erotic embrace.

MEDIUM: 1 print : etching.

CREATED/PUBLISHED: [1802?]

NOTES: Title from item. Forms part of: British Cartoon Collection (Library of Congress).

SUBJECTS:

  • Women--Social life--England--London--1800-1810.
  • Women--Education--England--London--1800-1810.
  • Wax figures--1800-1810.
  • Galleries & museums--England--London--1800-1810.
  • Human life cycle--1800-1810.

FORMAT: Satires (Visual works) British 1800-1810. Etchings British 1800-1810.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (b&w film copy neg.) cph 3b07352 http://hdl.loc.gov/loc.pnp/cph.3b07352

CARD #: 2003675443

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Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


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actuel2 juillet 2006 à 23:43876×1 477 (318 Kio)Churchh ("The Matrons in Hanging-Sleeves, or The Enquirer into Nature", an eighteenth-century satire (or "satyr") against sex-education. This caricature print shows women and girls looking at an exhibition display of a wax-model cutaway view of human pregnancy; t)

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